![]() ![]() Let the shapes go off the page on at least three sides. This, too, will insure compositional unity. The resulting composition is made up of large and small related shapes.Īgain, as a gesture, try to fill the entire surface of your paper. A continuous, overlapping line drawing has a unified look that comes from the number of enclosed, repeated shapes that naturally occur in the drawing. ![]() Not only are outside edges described, internal shapes are also drawn. The line connects forms, bridging spaces between objects. Rather than using multiple lines, you use a single line, however, as in gesture, you draw through the forms as if they were transparent. The completed drawing gives the effect that it could be unwound or unravelled. Once you make contact with the paper (you may begin anywhere: top, bottom, side), you are keeping the line flowing. The drawing implement stays in uninterrupted contact with the surface of the paper during the entire length of the drawing. The line in a continuous line drawing is unbroken from the beginning to the end. A drawing is simply a dot going for a walk –Ĭontour (n.) 1660s, a term in painting and sculpture, from French contour “circumference, outline,” from Italian and Medieval Latin contornear “to go around” The series consists of 15 lessons presented by artist Lillian Gray. Watch the lesson for free on our YouTube channel Free Drawing Course by artist Lillian Gray This is a video and blog series teaching the fundamentals of drawing in an easy to understand way.
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